eat dirt
artist statement
March 2024
I sculpt objects of interactive play. I practice obscurity. I copy a photo iteratively by hand until it becomes the work I have done to it; until the conscious and unconscious decisions of reproduction are made apparent. As a human artist, I am hooked on the idea that less explanation can lead to more empathy. I think that creative writing is effective because it leaves gaps for readers to fill in. The things I create are an extension of this notion, each one a celebration of reference and difference.
My practice seeks to emphasize viewer autonomy. I bring in elements of scent, texture, and warmth, sensations that speak not to a precise visual language, but directly into the culture and context of memory. I borrow Donna Haraway’s posthuman theory and encourage unexpected movement. I dangle drawings and fold up paintings and ask people to move them around.
These are the associative tools of the natural world. Growing up on boats in Alaska, I learned early how small I was to the moutnains and the sea. I am concious of the hypocrisy of using toxic, permanent materials to create work that uses the language of nature. I try to participate in a community of resource exchange. I engage with re-use and the opportunism of everyday objects. I am searching always for kinder ways to tell my stories.
contact me
ncgordonrein@gmail.com
find me also
cu.rio
ncgordonrein
box portfolio
myself
After returning to Alaska, I continued to write and eventually won the statewide UAA/ADN Creative Writing Competition in non-fiction and then in poetry. I have been published in *82 Review, the Daylight Zine, and Future Histories, a magazine which I now steward as cochair. My photos and drawings have been published in Future Histories. In 2021, I skittered my way across the continent to attend Tufts University and the School of the Museum of Fine Arts in Boston. I am working toward a BFA and a BS in Physics. I am learning how to put my words and thoughts into images and objects.
resume
(907) 639-1966